CHUORMO DISTRIBù

■ Brave films for real audience

■ Brave films for real audience

WORLD PREMIERE: Milan Machinima Festival

how to feel

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Arianna Sciancalepore

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how to feel * Arianna Sciancalepore *

Arianna Sciancalepore
Experimental - 7’

How to feel is a machinema short film made during the Nouvelle Bug vol.2 residency. The movie is shot almost entirely within the video game The Sims 4. The story is about a girl who is not able to love herself and is forced by circumstances to learn how to stay in her body, breathe and feel alive. The more she learns, the more her presence comes to life, gradually becoming aware of his own personality within this artificial world.  

ammazzalupi

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Arianna Sciancalepore

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ammazzalupi * Arianna Sciancalepore *

Arianna Sciancalepore
Experimental - 3’

Ammazzalupi is a short film inspired by the DDL Montagna, a law nicknamed “Ammazzalupi” (wolfkiller) for authorising the hunting of wolves, a species once close to extinction and now treated as a threat. A robotic voice reads excerpts from the law while images from phototraps, CCTV and Red Dead Redemption 2 overlap, turning wolves into suspects trapped in a system of constant surveillance. This gaze of control extends beyond nature, reaching the human-tech world, revealing a cycle of fear and dehumanisation. In the forest’s darkness, an eye opens: the gaze returns to the tree, leaving open the question of who is truly watching whom.  

WORLD PREMIERE: Piccolo Grande Cinema

WINNER: Contest “E tu, che animale sei?”

 

arianna
SCIANCALEPORE

Arianna Sciancalepore (Rome, 1998) is a filmmaker and multimedia artist. Her work explores personal and collective transformation at the intersection of technology, nature, embodiment and emerging forms of ritual.

She directed the documentaries Atlantic and Woud Nyaboro / Life of Octopizzo, and has worked on major productions such as M – The Son of the Century and Paolo Sorrentino’s La grazia. Alongside documentary practice, she develops experimental works combining machinima, virtual worlds, AI and immersive media, including How to Feel (realized at Nouvelle Bug Vol.2 residency), Ammazzalupi and the interactive installation Physical Education.

Her research weaves together mythology, memory, community and perception, imagining immersive and sensorial experiences as tools for awareness, connection and new forms of collective presence.

pixie ring

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pietro floris

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pixie ring * pietro floris *

Pietro Floris
Experimental - 3’

A lone man is officiating a magic ritual in the forest, and to his amazement, the enchanted forest folk answer his call.
The man must prove worthy to the spirits of the woods by facing a mystic ordeal and dancing with them.

Shot on Super 16mm with a Bolex camera, the film maintains the full material integrity of its medium: every frame was manually edited through an analog workflow on a flatbed editing table at the FAMU facilities in Prague.

pietro
floris

Pietro Floris (1997) is an Italian filmmaker trained at FAMU Prague.
Primarily working on 16mm, he has developed a radical narrative and visual approach, drawing inspiration from magical microcosms and esoteric symbols, and presenting them in precise, carefully orchestrated compositions. He began as a self-taught filmmaker in 2021, making his first experimental short films on Super 8.
He wrote and directed short films selected for international festivals, including his Südtirol Film Commission-supported surrealist drama Rosa Alchemica (2025), which premiered at the Trento Film Festival.

WORLD PREMIERE: Piccolo Grande Cinema

WINNER: Contest “E tu, che animale sei?”

WORLD PREMIERE: Laceno D’Oro

WINNER: Special Mention “Spazio Campania” Laceno D’Oro

lievete da annanze 'o sole

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halim mohammed

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lievete da annanze 'o sole * halim mohammed *

Halim Mohammed
Documentary - 62’

Lievete da Annanze ’O Sole is an act of resistance, a decolonial gesture born from the heart of Naples’ Black community. Through the sounds of hip hop, drill, R’n’B, and dancehall, young artists transform marginality into collective strength, redefining the city as mixed, vibrant, and universal. Their voices weave together five languages, African roots, and Neapolitan belonging, opening up new spaces of culture and identity. The camera does not observe from the outside: it accompanies its subjects with a political and affective gaze, restoring complexity and truth without mediation or stereotypes. Not a linear narrative, but a mosaic of sounds, silences, and desires, in which the Black experience in Italy becomes a mirror of global contradictions.

halim
mohammed

Born of Vesuvius and of the sea that washes the shores of Somalia, Halim Mohammed weaves distant and close roots into every verse and every frame. He began writing poetry at the age of eight, shortly after arriving in Italy, and one of his poems was later published in A scuola di legalità by Michele Del Gaudio. Theatre became his second language, performing works by Eduardo De Filippo and Antonio Petito, as well as roles such as Theseus in A Midsummer Night’s Dream and the Child in Waiting for Godot. As a poet, he published Caro colono under the name Not Your Negropolitan in the fanzine Antirazine. His path is deeply rooted in anti-racist activism, where art and social engagement intersect. Holding a degree in Economics, he works as a social worker. As a director and screenwriter, he created the decolonial documentary Lievete da Annanze ’O Sole (2025), which received a Special Audience Mention at Laceno d’Oro.

Chuormo DisTribù is a young, independent distribution platform
dedicated to author-driven and experimental films.

The project is created to build a network of support and visibility for emerging filmmakers
and visual artists who share a free, communal, and sensitive vision of cinema.

We believe in film as a tribal gesture where storytelling
become a poetic and political act of togetherness.

distribù with us